{"title":"Sale","description":"","products":[{"product_id":"the-velvet-underground-experience","title":"The Velvet Underground Experience","description":"\u003cp\u003e\u003cstrong\u003eHardcover, 216 pages \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e8.5 × 11 in. \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e21.59 × 27.94 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the heart of 1960s avant-garde New York was the convergence of Lou Reed, John Cale, Sterling Morrison, and Moe Tucker, heralding an unprecedented musical revolution. The Velvet Underground was a unique group for its time, fueled by the visual arts, poetry, and stage performance, as much by ideas of sexual transgression and the subversion of social norms.\u003c\/p\u003e\n\u003cp\u003eCompiled from archival ephemera, unpublished photographs, films, album covers, posters, fanzines, letters, testimonies, and poems, this monograph gathers anew the Velvet Underground Experience exhibition that opened in Paris in 2016 for a US audience, recreating the sound, visual, and emotional experiences of the underground scenes in New York, where extravagances were always allowed.\u003c\/p\u003e\n\u003cp\u003eThis updated monograph explores the genesis and history of a group that, despite its colorful collaboration with Andy Warhol, was overlooked by success during its brief existence (1965-1970). Too radical, too transgressive, and too uninhibited for their time, the Velvet Underground has become a cultural phenomenon over the decades, one that continues to fascinate audiences around the world.\u003c\/p\u003e\n\u003cp\u003e+++\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003eBundle \u003cem\u003eThe Velvet Underground Experience\u003c\/em\u003e with \u003cem\u003e\u003ca href=\"https:\/\/hatandbeard.com\/products\/my-week-beats-your-year-encounters-with-lou-reed?variant=40376865194050\" target=\"_blank\" title=\"My Week Beats Your Year\" style=\"color: #ff8000;\" rel=\"noopener noreferrer\"\u003eMy Week Beats Your Year: Encounters With Lou Reed \u003c\/a\u003e\u003c\/em\u003efor only $65. Select the bundle in the Options drop-down menu above.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEditorial coordination:\u003cbr\u003eChristian Fevret and Carole Mirabello\u003cbr\u003eEditors: JC Gabel and Margot Ross\u003cbr\u003eDesign: Change is Good, Paris\u003c\/p\u003e","brand":"Hat \u0026 Beard Press","offers":[{"title":"The Velvet Underground Experience","offer_id":40376872927298,"sku":"","price":50.0,"currency_code":"USD","in_stock":true},{"title":"The VU Experience + My Week Beats Your Year: Encounters with Lou Reed Bundle","offer_id":40376872960066,"sku":"","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/VU_cvr_shopifysize.jpg?v=1684279745"},{"product_id":"the-nature-of-breathing-in-salt","title":"The Nature of Breathing in Salt","description":"\u003cp\u003e** This book qualifies for free domestic shipping.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover, 300 pages\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e8.66 x 10.83 in.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e22 x 27.5 cm.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEdition of 650\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Western Japan, a bottle of champagne is smashed against the hull of a massive bulk cargo vessel, its path charted along the arch of the northern hemisphere: We follow its gentle glide through the lilac calm of the Japanese outer islands; a waive at the lights of Busan, the South Korean city along its charted path; the frigidity of the Aleutian Islands; a circular motion to avoid a mid-ocean monster; and lastly a cruise into Portland past the forests and factories on the Columbia River. On this maiden voyage across the Pacific, the vessel’s holds sit empty. One is in ballast to strengthen against heavy storms. A crew of twenty, plus four creative wanderers—including artist Cole Sternberg, who wrangled the quartet especially for this journey—anxiously steady themselves for weeks under swaying ground. It is within the context of this floating island that the work comprised of “The Nature of Breathing in Salt” emerges. \u003c\/p\u003e\n\u003cp\u003eWe find rainbows confronted by fluorescent hallways, black clouds fighting the setting sun, Sternberg’s paintings dragged in the sea, the glory of the unknown and unwelcoming greeting of the land. The imagery shifts in a bell curve of pleasant anxiety, mirrored by a narrative of Melville, Sternberg’s poetry and the dialogue of the crew. It is an experience that leaves one yearning for and sick of the sea. It is an art object more than just a book. \u003c\/p\u003e\n\u003cp\u003eSternberg’s practice of using the environment to tell its own story is apparent here. His practice ultimately results in the paintings and photography featured throughout this book. Works from this body of imagery have been exhibited extensively, and are in the permanent collections of the Los Angeles County Museum of Art and the Pérez Art Museum Miami, and the El Segundo Museum of Art, among others.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e+++\u003c\/p\u003e\n\u003cp\u003eIn the limited-edition book, Sternberg tells the story of his journey in an elegant barrage of pictures, words, film stills, and paintings.\u003c\/p\u003e\n\u003cp\u003eA collector’s edition features a hand-numbered and signed Sternberg print, signifying the embarking moment of the journey.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Cole Sternberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCole Sternberg was born in Richmond, Virginia. He lives and works in Los Angeles and practices in a range of formats, including painting, installation, video, and writing. Series of his work have focused on a variety of social issues, from current human rights activism and its relationship to the law, to the environment, to the media, and concepts of content overload. The works tend to be subtle or subversive in nature, driven by elegant visual concepts and poetry. He is interested in the intersection between humanity and humankind and how their lack of congruity hinders social progression and development.\u003c\/p\u003e\n\u003cp\u003eSternberg has exhibited nationally and internationally, including in exhibitions at the American University Museum (Washington, DC), El Segundo Museum of Art (El Segundo, CA), Hochhaus Hansa (Ruhr.2010 Museum, Dortmund, Germany), Primary (Miami), David B. Smith Gallery (Denver), Los Angeles Nomadic Division (LAND, Los Angeles), Paris Photo (Los Angeles), Zona Maco (Mexico City), ArtBo (Bogota), Art Los Angeles Contemporary (ALAC), e105 Gallery (Berlin), LA\u0026gt;\u0026lt;ART (Los Angeles), MAMA (Los Angeles \u0026amp; Berlin) and Praz Delavallade (Los Angeles).\u003c\/p\u003e\n\u003cp\u003eHis works are held by major collections throughout the world, such as the Los Angeles County Museum of Art (LACMA), the Pérez Art Museum Miami (PAMM), the El Segundo Museum of Art (ESMoA), the American University Museum (AUM), Cedars-Sinai, and Deutsche Telekom. It has been featured in the \u003cem\u003eNew York Times\u003c\/em\u003e, \u003cem\u003eWall Street Journal\u003c\/em\u003e, \u003cem\u003eWhitewall\u003c\/em\u003e \u003cem\u003eMagazine\u003c\/em\u003e, \u003cem\u003eIssue Magazine\u003c\/em\u003e, \u003cem\u003eAutre Magazine\u003c\/em\u003e, \u003cem\u003eHercules\u003c\/em\u003e, \u003cem\u003eDenver Post\u003c\/em\u003e, \u003cem\u003eMiami New Times\u003c\/em\u003e, \u003cem\u003eLA Weekly\u003c\/em\u003e, \u003cem\u003eArt Ltd\u003c\/em\u003e., \u003cem\u003eArchitectural Digest\u003c\/em\u003e, \u003cem\u003eAngeleno\u003c\/em\u003e, \u003cem\u003eSleek\u003c\/em\u003e, \u003cem\u003eMetal Magazine\u003c\/em\u003e, \u003cem\u003eArtNet\u003c\/em\u003e, and \u003cem\u003eHuffington Post\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e +++\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCollector’s Edition: Edition of 100 (including signed print): $250\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003ePrint details:\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eTitle: a loss of breath at the anticipatory moment \u003cbr\u003e\u003cspan class=\"s1\"\u003eEdition: 100, signed and numbered by the artist\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eSize: 25.5 cm x 20 cm (paper), 22.8 cm x 17.9 cm (image)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eMaterials: Pigment print on archival photo rag paper\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eEach print is removably-mounted into book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hat \u0026 Beard Press","offers":[{"title":"Standard","offer_id":13865593077826,"sku":"","price":60.0,"currency_code":"USD","in_stock":true},{"title":"Collector's","offer_id":13866546364482,"sku":"","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/products\/TNOBS_-_COLE_STERNBERG.jpg?v=1556826578"},{"product_id":"big-ears-knoxville","title":"Big Ears Knoxville","description":"\u003cp\u003e\u003cstrong\u003eHardcover, 136 pages\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e8 x 12 in. \/ \u003c\/strong\u003e\u003cstrong\u003e20.32 x 30.48 cm. \u003cbr\u003e69 color + b\u0026amp;w photographs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo celebrate 10 years of Big Ears, the art and music festival in Knoxville, Tennessee, AC Entertainment, Rock Fish Stew Institute of Literature and Materials, Southern Documentary Fund, and Hat \u0026amp; Beard Press worked closely with artist \u003cstrong\u003eKate Joyce\u003c\/strong\u003e—who photographed the festival, the people and surrounds of Knoxville over the last five years—to create a captivating time capsule, both of the last five years of performances at Big Ears and of the lyrical and visual language of Knoxville. Cormac McCarthy’s semi-autobiographical novel, \u003cem\u003eSuttree\u003c\/em\u003e, is set in his hometown in the 1950s and the city is also immortalized in fellow Knoxvillian James Agee’s Pulitzer Prize-winning novel, \u003cem\u003eA Death in the Family\u003c\/em\u003e, both of which get at what Joyce so perfectly captures in her book, \u003cstrong\u003e\u003cem\u003eBig Ears Knoxville\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe book consists of 69 color and black and white photographs, a preface by music critic Ben Ratliff, \u003cspan\u003eessays by musicians Rachel Grimes and Joe Henry, and \u003c\/span\u003eexclusive streaming access to a selection of audio recordings from performances at Big Ears between 2014-2018. The photographs were made under the influence of the music being performed in intimate venues throughout the city.\u003c\/p\u003e\n\u003cp\u003eAs Joyce says: “The location of the festival—and hearing some of the most challenging music in the world—in downtown Knoxville, a city perhaps not expected to be the home of a festival of this quality and caliber, reverberated through all of my senses.”\u003c\/p\u003e\n\u003cp\u003eBetween 2014-2018 more than 200 artists and bands performed at Big Ears. During the five years that Joyce traveled to Knoxville for the festival, she photographed some of them, but not nearly all of them—for good reason, as you’ll soon read. Of those she did photograph, a number found their way into the book. Among them are the bands Algiers, Eighth Blackbird and Kronos Quartet, musicians John Luther Adams and his wife Cynthia, Bryce Dessner, Wu Fei, Rachel Grimes, Levon Henry, Julia Holter, Little Annie, Wu Man, Grey McMurray, Guy Picciotto, Terry Riley, Omar Souleyman, Susanna and Abigail Washburn, composer Jóhann Jóhannsson, and conductor Steven Schick with the Knoxville Symphony Orchestra.\u003c\/p\u003e\n\u003cp\u003e“I photographed during some of these performances,” she says, “but most of them were un-photographable (better heard than seen). Sometimes I only photographed a sound check or rehearsal.” Joyce witnessed most of the performances, many were memorable and a few were life changing. \u003c\/p\u003e\n\u003cp\u003eDuring her time at Big Ears, she explored Knoxville on foot as well, leaving the theaters and clubs to make pictures on the streets. As she wandered, her mind remained tethered to the musical events strewn around downtown Knoxville at various venues. Photographing back and forth between city and festival—and subsequently during the editing process—the experience was an exercise and challenge for Joyce to see and document what was happening as openly and as freely as the music had taught her to listen.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eBig Ears Knoxville\u003c\/em\u003e made its debut at the Big Ears Festival in Knoxville in March 2019.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e+++\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis project was made possible with the support of the Reva and David Logan Foundation, Dan and Gloria Logan, Colin Moran, Visit Knoxville, Moxley Carmichael, Knoxville Museum of Art, Dewhurst Properties and The Tomato Head, in partnership with Rock Fish Stew Institute of Literature and Materials, AC Entertainment, The Southern Documentary Fund, the Contemporary Art Museum Raleigh, and \u003cem\u003eThe Paris Review\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEdition of 400\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003ePreface by Ben Ratliff \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eEssays by Rachel Grimes and Joe Henry\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eMusic by Sam Amidon, Laurie Anderson, Bryce Dessner, Mats Eilersten, Diamanda Galás, Kronos Quartet, Wu Man, The Necks, Meshell Ndegeocello, Nils Okland, Yuki Numata Resnick, Terry Riley, and Jenny Scheinman.\u003cbr\u003eDesigned by Sabrina Che and Ben Schwartz\u003c\/span\u003e\u003c\/p\u003e","brand":"Hat \u0026 Beard Press","offers":[{"title":"Default Title","offer_id":14079514443842,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/products\/2019_bigearsknoxville_mockup_web.jpeg?v=1551935668"},{"product_id":"do-you-compute-selling-tech-from-the-atomic-age-to-the-y2k-bug-1950-1999","title":"Do You Compute? \u003cbr\u003eSelling Tech from the Atomic Age to the Y2K Bug \u003cbr\u003e1950-1999","description":"\u003cp\u003e\u003cstrong\u003eHardcover, 240 pages\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e8 x 10 in.\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e20.32 x 25.4 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBefore Alexa and the iPhone, there was the large and unwieldy mainframe computer. In the postwar 1950s, computers were mostly used for aerospace and accounting purposes. To the public at large, they were on a rung that existed somewhere between engineering and science fiction. Magazine ads and marketing brochures were designed to create a fantasy surrounding these machines for prospective clients: Higher profit margins! Creativity unleashed! Total automation! With the invention of the microchip in the 1970s came the PC and video games, which shifted the target of computer advertising from corporations to the individual. By the end of the millennium, the notion of selling tech burst wide open to include robots, cell phones, blogs, online dating services, and much, much more.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDo You Compute?\u003c\/em\u003e is a broad survey featuring the very best of computer advertising in the 20th century. From the Atomic Age to the Y2K bug, this volume presents a \u003cem\u003econnoisseur\u003c\/em\u003e’s selection of graphic gems culled from museums, university archives, and private collections to illustrate the evolution of the computer from its early days as a hulking piece of machinery to its current state as a handheld device.\u003c\/p\u003e\n\u003cp\u003eAccompanied by two essays—one by cultural anthropologist Ryan Mungia and the other by graphic design historian Steven Heller—and including five different decade-long timelines that highlight some of the most influential moments in computer history, this fun yet meaningful volume is a unique look at the computer and how it has shaped our world.\u003c\/p\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe limited edition print + book, signed by editor\/designer\/publisher \u003c\/span\u003e\u003cstrong\u003eRyan Mungia\u003c\/strong\u003e\u003cspan\u003e and cover artist \u003c\/span\u003e\u003cstrong\u003eJohn Zabawa,\u003c\/strong\u003e\u003cspan\u003e is now available for $100. Limited to 100 copies. Select \"limited\" in the drop-down menu above.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCo-published with \u003ca title=\"Boyo Press\" href=\"http:\/\/www.boyopress.com\/\" target=\"_blank\"\u003eBoyo Press\u003c\/a\u003e\u003cbr\u003eEdited by Ryan Mungia and J.C. Gabel\u003cbr\u003eDesigned by Ryan Mungia\u003cbr\u003eCover design by John Zabawa\u003c\/p\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cp\u003ePRESS\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"DYC in Print Magazine\" href=\"https:\/\/www.printmag.com\/post\/558146\" target=\"_blank\"\u003ePrint Magazine\u003c\/a\u003e\u003ca href=\"https:\/\/www.printmag.com\/post\/558146\" title=\"DYC in Print Magazine\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"DYC in Marketplace\" href=\"https:\/\/www.marketplace.org\/2020\/09\/07\/computer-ads-how-to-sell-future\/\" target=\"_blank\"\u003eMarketplace\u003c\/a\u003e\u003ca href=\"https:\/\/www.marketplace.org\/2020\/09\/07\/computer-ads-how-to-sell-future\/\" title=\"DYC in Marketplace\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"DYC in Lit Hub\" href=\"https:\/\/lithub.com\/how-america-has-always-advertised-the-next-golden-age-of-computers\/\" target=\"_blank\"\u003eLit Hub\u003c\/a\u003e\u003ca title=\"DYC in Lit Hub\" href=\"https:\/\/lithub.com\/how-america-has-always-advertised-the-next-golden-age-of-computers\/\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"DYC in Fast Company\" href=\"https:\/\/www.fastcompany.com\/90455287\/see-the-weird-wonderful-ads-that-made-americans-love-computers\" target=\"_blank\"\u003eFast Company\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"LA Weekly review\" href=\"https:\/\/www.laweekly.com\/the-new-book-do-you-compute-sells-the-dream-of-technology\/\" target=\"_blank\"\u003eLA Weekly\u003c\/a\u003e\u003ca title=\"LA Weekly review\" href=\"https:\/\/www.laweekly.com\/the-new-book-do-you-compute-sells-the-dream-of-technology\/\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"Juxtapoz review\" href=\"https:\/\/www.juxtapoz.com\/news\/books\/do-you-compute-selling-tech-from-the-atomic-age-to-the-y2k-bug-1950-1999\/\" target=\"_blank\"\u003eJuxtapoz\u003c\/a\u003e\u003ca title=\"Juxtapoz review\" href=\"https:\/\/www.juxtapoz.com\/news\/books\/do-you-compute-selling-tech-from-the-atomic-age-to-the-y2k-bug-1950-1999\/\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"Cool Hunting review\" href=\"https:\/\/coolhunting.com\/buy\/do-you-compute-selling-tech-from-the-atomic-age-to-the-y2k-bug\/\" target=\"_blank\"\u003eCool Hunting\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"Cool Hunting review\" href=\"https:\/\/coolhunting.com\/buy\/do-you-compute-selling-tech-from-the-atomic-age-to-the-y2k-bug\/\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.thecaret.co\/posts\/do-you-compute\" target=\"_blank\" title=\"DYC in The Caret\" rel=\"noopener noreferrer\"\u003eThe Caret\u003c\/a\u003e\u003c\/p\u003e","brand":"Hat \u0026 Beard Press","offers":[{"title":"Regular","offer_id":31681936293954,"sku":"","price":40.0,"currency_code":"USD","in_stock":true},{"title":"Limited","offer_id":31681936326722,"sku":"","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/products\/JZ_DYC_Mockup1.jpg?v=1576907992"},{"product_id":"my-first-summer-in-the-sierra","title":"My First Summer in the Sierra","description":"\u003cp\u003e\u003cstrong\u003eHardcover, 188 pages\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e 8 x 10 in. | 20.3 x 25.4 cm. \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDecember 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a reissue of John Muir’s beloved adventure in the Sierra, re-visualized by artist Cole Sternberg in an effort to question, encourage, and inspire naturalists of our times.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConsidered one of the patron saints of 20th-century environmental activity, John Muir’s appeal to modern readers is that he not only explored the American West but also fought for its preservation. \u003cem data-mce-fragment=\"1\"\u003eMy First Summer in the Sierra\u003c\/em\u003e is Muir’s account of his adventures and observations while working as a shepherd in the Yosemite Valley, which, as a direct result of Muir’s writings and activism, later became Yosemite National Park. Muir’s heartfelt and often humorous descriptions of his first summer spent in the Sierra will captivate and inspire long-time fans and novice naturalists alike.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis version, however, imagines something grander via artist Cole Sternberg’s re-visualization and design. As Percival Everett notes in his timely introduction :\u003cspan data-mce-fragment=\"1\"\u003e “What the images here do is suggest the complicated formation, not of the geol­ogy and topography, but of concept. What the Sierra contains within its bound­aries is a statement not only about the physical beauty of North America, but an accounting of how this nation wants and chooses to see itself. The work in this book is not only a portrait of a place, but a portrait of us.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe limited edition format includes a Cole Sternberg signed-and-numbered print, entitled \"\u003c\/span\u003elace-like sheets and braided overfolding currents\" (pictured last). The work is printed on Hahnemuhle German Etching paper and limited to an edition of 100. It is a rare opportunity to collect the actual artwork featured in the book.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJohn Muir\u003c\/strong\u003e was a Scottish-born American naturalist, author, early advocate of preservation of wilderness in the United States, and founder of The Sierra Club. His letters, essays, and books of his adventures in nature have been read by millions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCole Sternberg\u003c\/strong\u003e is a conceptual artist who lives and works in Los Angeles. His practice contemplates humanity’s existential quandary: that of being hopelessly destructive, yet forever and inevitably linked with nature. Through varied media (including painting, sculpture, installation, performance, photography, film, and writing), Sternberg positions the aspirations of humankind against the dominant and regenerative forces of the environment and the arbitration of time. For the artist, the conclusion is unavoidable. Human enterprises—art, language, history, law, and republic—are ephemeral \/ illusory endeavors that attempt to reflect, parallel, and challenge the ascendency of nature to no avail.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercival Everett \u003c\/strong\u003eis a novelist, poet, and Distinguished Professor of English at the University of Southern California.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned by Cole Sternberg \u003cbr\u003eIntroduction by Percival Everett\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Hat \u0026 Beard Press","offers":[{"title":"Regular","offer_id":32539803877442,"sku":"","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Limited Edition","offer_id":32539803942978,"sku":"","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/products\/myfirstsummerinthesierra-cover-2.jpg?v=1624050026"},{"product_id":"divine-by-delphine-diallo","title":"Divine by Delphine Diallo","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e\u003cstrong\u003eHardcover\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e\u003cbr\u003e\u003cstrong\u003eApprox. 8 x 11 inches, 156 pages\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor centuries, the art world was seen through the eyes of a small few who, under a patriarchal society, chose the aesthetic and the narrative—and whose main depiction of the sacred female body was as an objectified and sexualized woman.\u003cspan data-mce-fragment=\"1\" class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eDelphine Diallo aims to change this dynamic. Her intention is for every woman she photographs to feel the image she makes of them is a personal gift. “I am not taking pictures, I am \u003ci data-mce-fragment=\"1\"\u003egiving\u003c\/i\u003e pictures,” as Diallo puts it. By engaging in intimate conversations with her subjects, Delphine removes the sense of vulnerability that often comes with being photographed. Working with body painters and jewelry and mask makers, Diallo also uses traditional mythology and spiritual symbols to empower her subjects. Her portraiture is all about connection and exchange. She believes women are deep beings and connects with them on an emotional level. The French-Senegalese photographer spends more time speaking with her subjects than photographing them.\u003cspan data-mce-fragment=\"1\" class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDelphine Diallo’s photographs are never discriminating, yet deeply communicative, and portray women beyond judgment, soaking up their limitless beauty. Diallo's works are meant to encourage every woman to write a personal narrative, to take a stand, to have a firm voice. No preparatory models, sketches, or plans lay behind her photographs, which depict only outstanding feminine painted bodies. It is all a part of the vision flowing out of the artist's mind, grounded in her right brain hemisphere, predominant in her energetic and vibrant personality. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eDrawing elements from eastern mythology and philosophy, whilst always ennobling and empowering women, her practice is reminiscent of Oriental 19th-century painting. Looking at Krishnamurti, Frantz Fanon, Joseph Campbell, Bruce Lee, Aimé Césaire, and A.D. Wilson as deep inspirational sources, her photographs raise awareness, appealing to all women to awaken their senses. Diallo immerses herself in the realm of the feminine universe and her eloquent portraiture technique unveils and stirs unexplored emotion and insight meant to reach beyond appearances. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e“We are in constant search for wonder and growth. I see art as a vessel to express consciousness and as an access to diffuse wisdom, enlightenment, fear, beauty, ugliness, mystery, faith, strength, fearlessness, and universal matter”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e+++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003eDelphine Diallo is a Brooklyn-based French and Senegalese visual artist and photographer. You can read more about her \u003ca title=\"Delphine bio\" href=\"http:\/\/www.delphinediallo.com\/bio\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Hat \u0026 Beard","offers":[{"title":"Default Title","offer_id":39483097120834,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/products\/DIVINE-BookCoverMockup-2.jpg?v=1630468201"},{"product_id":"the-steve-keene-art-book","title":"The Steve Keene Art Book","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHardcover, 265 pages\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e11.8 in. x 11.8 in.\u003cbr\u003e29.972 cm. x 29.972 cm.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Keene\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the most prolific American painter of all time, producing more than 300,000 hand-painted works via his studio\/chainlink fence cage where he paints more than 50 paintings at a time.\u003c\/p\u003e\n\u003cp\u003eKnown for his voluminous affordable art, as well as being the indie rock art collaborator to Pavement, The Apples in stereo, Will Oldham, and David Berman\/Silver Jews, Keene has long been under appreciated.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Steve Keene Art Book*—\u003c\/em\u003eoriginally conceived during his sold out show at Shepard Fairey's LA Gallery\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/subliminalprojects.com\/exhibitions\/modular-synthesis\" title=\"Subliminal Projects\" target=\"_blank\"\u003eSubliminal Projects\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 2016—is the first art book dedicated exclusively to his work. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"A folk hero Warhol.\" —Shepard Fairey\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e“Steve Keene is a legend.” —\u003cem\u003eLA Weekly \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e“By some measures, Mr. Keene is one of the most successful artists in the world.” —\u003cem\u003eNY Times\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e\"Assembly-line Picasso; a painter churns out product, and the art world reels.” —\u003cem\u003eTime\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“A massively dazzling celebration of fandom as an art form—playful, affectionate, slightly unhinged.” —\u003cem\u003eRolling Stone\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Whether they realize it or not, most rock fans of the past 20-odd years, especially indie rock fans, already know the work of artist Steve Keene.” —\u003cem\u003eVariety\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Keene\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a Brooklyn-based multi-media artist who has showcased his work internationally. His unique focus includes hand-painted multiples, wood sculpture, and tattooed plywood.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDaniel Efram\u003c\/strong\u003e is a photojournalist, activist, and producer based in New York City. He has produced televised music concerts, documentary films, music videos, and other creative projects. As an artist manager, he has represented The Apples in stereo for over 20 years. His photography has been published in the\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cem\u003eNY Times, \u003c\/em\u003e\u003ci\u003eSydney Morning Herald, Pitchfork, \u003c\/i\u003eand many others. His first art book, \u003cspan\u003e\u003ca href=\"https:\/\/hatandbeard.com\/products\/curiosities-by-daniel-efram\" title=\"Curiosities\" target=\"_blank\"\u003e\u003cem\u003eCuriosities\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e, is now available exclusively via \u003cspan\u003e\u003ca title=\"H\u0026amp;B Curiosities page\" href=\"https:\/\/hatandbeard.com\/products\/curiosities-by-daniel-efram\" target=\"_blank\"\u003eHat \u0026amp; Beard Press\u003c\/a\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e+++\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eArt Direction by Henry Owings, Chunklet Industries\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eEdited by Gail O’Hara\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Editing by Michael Azerrad \u0026amp; Karen Loew\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003eWith essays by Hilarie Bratset, Sam Brumbaugh, Elle Chang, Daniel Efram, \u003c\/span\u003eShepard Fairey, Karen Loew, Ryan McGinness, Christina Zafiris\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e*The Steve Keene Art Book is co-published by \u003ca href=\"https:\/\/tractor-beam.com\/\" title=\"Tractor Beam\"\u003eTractor Beam\u003c\/a\u003e and has been made possible through a crowdfunding campaign that included hundreds of supporters from all over the world who contributed pieces from their own personal collections. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial options available with \u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003eThe Steve Keene Art Book\u003c\/em\u003e, while supplies last:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOption 1\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e• \u003cem\u003eThe Steve Keene Art Book\u003c\/em\u003e with limited-edition, signed-and-numbered card\u003cbr\u003e$125.00 \u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e[SOLD OUT]\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOption 2 \u003cspan style=\"color: #ff2a00;\"\u003e[SOLD OUT]\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e• \u003cem\u003eThe Steve Keene Art Book\u003c\/em\u003e with 12''x12\" or 8\"x12\" piece of randomly selected Steve Keene art (signed, hand-painted multiple on 3\/8\" plywood)*\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e$150.00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOption 3 \u003cspan style=\"color: #ff2a00;\"\u003e[SOLD OUT]\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e• \u003cem\u003eThe Steve Keene Art Book\u003c\/em\u003e with limited-edition, signed-and-numbered card and 2'x2' Steve Keene art piece (signed, randomly selected hand-painted multiple on 3\/8\" plywood)*\u003cbr\u003e$200.00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Quantities are limited. Sizes are approximate. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e+++\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003ePress\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ca title=\"Thurston Moore blurb\" href=\"https:\/\/www.instagram.com\/p\/Cocj9PgOizQ\/\" target=\"_blank\"\u003e\"This major opus Steve Keene monograph from Hat \u0026amp; Beard Press is a beauty!\"\u003cbr\u003e\u003c\/a\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e—Thurston Moore, Sonic Youth\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nyti.ms\/3SVnWDm\" title=\"NY Times article\" target=\"_blank\"\u003e\u003cspan\u003eSteve Keene Made 300,000 Paintings in a Home Full of Easels\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003cem\u003eNY Times \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/bit.ly\/3fnKSwP\" title=\"New Yorker article\" target=\"_blank\"\u003e\u003cspan\u003eMile-a-Minute Plywood Painter Steve Keene Has a Retrospective\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003cem\u003eThe New Yorker\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/bit.ly\/3MrZ9VN\" title=\"Rolling Stone article\" target=\"_blank\"\u003e\u003cspan\u003eSteve Keene: Prolific Painter of Album Covers by Pavement and More\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003cem\u003eRolling Stone\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/bit.ly\/3MRLOoh\" title=\"Pitchfork article\" target=\"_blank\"\u003e\u003cspan\u003eMeet the Wildly Prolific Painter Who’s Made Album Covers for Pavement, Silver Jews, and More\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003cem\u003ePitchfork\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eMore Press\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"Obey Giant\" href=\"https:\/\/obeygiant.com\/the-first-ever-steve-keene-art-book\/\" target=\"_blank\"\u003eObey Giant\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca title=\"Forbes\" href=\"https:\/\/www.forbes.com\/sites\/rachelkramerbussel\/2022\/01\/25\/kickstarter-funded-the-steve-keene-art-book-to-be-published-in-june\/?sh=2e5d143edb65\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eForbes\u003c\/span\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"Flood Magazine\" href=\"https:\/\/floodmagazine.com\/88549\/daniel-efram-on-steve-keene-art-book\/\" target=\"_blank\"\u003eFlood Magazine\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"Brooklyn Magazine\" href=\"https:\/\/www.bkmag.com\/2022\/02\/07\/painter-steve-keene-im-gonna-kill-you-with-my-art\/\" target=\"_blank\"\u003eBrooklyn Magazine\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.billboard.com\/music\/rock\/the-steve-keene-art-book-indie-rock-painter-pavement-1235072165\/\" title=\"Billboard Magazine excerpt link\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBillboard Magazine\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.newyorker.com\/magazine\/2022\/10\/03\/mile-a-minute-plywood-painter-steve-keene-has-a-retrospective\" target=\"_blank\" title=\"The New Yorker article about Steve Keene\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eThe New Yorker\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Hat \u0026 Beard Press","offers":[{"title":"Book","offer_id":39668228849730,"sku":"","price":60.0,"currency_code":"USD","in_stock":true},{"title":"Book + signed and numbered card","offer_id":39668228882498,"sku":"","price":125.0,"currency_code":"USD","in_stock":false},{"title":"Book + 12\"x12\" or 8\"x12\" SK art piece","offer_id":39668228915266,"sku":"","price":150.0,"currency_code":"USD","in_stock":false},{"title":"Book + signed and numbered card + 2'x2' SK art piece","offer_id":39668228948034,"sku":"","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/HB_SteveKeene_4591.jpg?v=1684282089"},{"product_id":"candy-mountain-by-david-black","title":"Candy Mountain by David Black","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHardcover, regular and limited editions\u003cbr\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e9.5 inches x 12.75 inches\u003cbr data-mce-fragment=\"1\"\u003e24.13 cm x 32.385 cm\u003cbr\u003e160 pages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eCandy Mountain\u003c\/i\u003e is the final installment in David Black’s trilogy of titles with Hat \u0026amp; Beard Press. It follows his first two volumes, \u003ca title=\"Volume 1\" href=\"https:\/\/hatandbeard.com\/collections\/books\/products\/david-black-cerro-gordo\" target=\"_blank\"\u003e\u003ci\u003eCerro Gordo\u003c\/i\u003e\u003c\/a\u003e and \u003ca title=\"Volume 2\" href=\"https:\/\/hatandbeard.com\/products\/david-black-the-days-change-at-night?variant=7762673008706\"\u003e\u003ci\u003eThe Days Change at Night\u003c\/i\u003e\u003c\/a\u003e, on another magnificent photographic journey, this time through the vast Western landscapes of his childhood memories and current geographical explorations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImages of horses running wild and celestial skies follow radiant mountain ranges, ghostly silhouettes, and lonely deserts, all infused with an unbridled\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003esense of freedom.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eEXTRAS:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e• Candy Mountain\u003c\/em\u003e is also available as a limited edition. Produced as a negative of the original, it features a booklet comprised of production notes by Louis Gropman on the making of the book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• Limited run of \u003cem\u003eCandy Mountain\u003c\/em\u003e t-shirts printed on FilthMart tees are now available. S, M, L, XL while they last. Choose your size in the drop-down menu above.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Limited run of \u003cem\u003eCandy Mountain\u003c\/em\u003e t-shirts commemorating David Black's show in Paris at OFR. Los Angeles Apparel black tee, printed on front on back. Choose your size in the drop-down menu above. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e• Have you been searching for a copy of the sold-out \u003cem\u003eCerro Gordo\u003c\/em\u003e to complete your collection of David Black's trilogy of titles on H\u0026amp;B press? We have 10 sets of all three books available (\u003cem\u003eCerro Gordo\u003c\/em\u003e, \u003cem\u003eThe Days Change at Night\u003c\/em\u003e, and \u003cem\u003eCandy Mountain\u003c\/em\u003e), with a bonus fourth book—the limited-edition of \u003cem\u003eCandy Mountain\u003c\/em\u003e (produced as a negative of the original with a booklet of production notes by Louis Gropman on the making of the book)—and the VHS companion to \u003cem\u003eThe Days Change at Night,\u003c\/em\u003e featuring a rarely seen video piece by Black produced as an audio-visual component to the book. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003eGrab a set before they're gone. Select \"David Black Trilogy Bundle\" in the drop-down menu above.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesign and typography by Taylor Giali.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e+++\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDavid Black\u003c\/strong\u003e is a Los Angeles-based photographer and director noted for his work with musicians Daft Punk, Cat Power, Kendrick Lamar, and others. His photographs have been featured in \u003ci\u003eThe New Yorker\u003c\/i\u003e and \u003ci\u003eRolling Stone\u003c\/i\u003e, among many other publications. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hat \u0026 Beard Press","offers":[{"title":"Candy Mountain Standard Edition","offer_id":39612575776834,"sku":"","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Candy Mountain Standard Ed + Ltd Ed Bundle","offer_id":39612575809602,"sku":"","price":80.0,"currency_code":"USD","in_stock":true},{"title":"David Black Trilogy Bundle","offer_id":39911173488706,"sku":"","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Candy Mountain (FilthMart white tee) small","offer_id":39809361084482,"sku":"","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Candy Mountain (FilthMart white tee) medium","offer_id":39809361117250,"sku":"","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Candy Mountain (FilthMart white tee) large","offer_id":39809361150018,"sku":"","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Candy Mountain (FilthMart white tee) x-large","offer_id":39809361182786,"sku":"","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Candy Mountain black tee small","offer_id":39815096172610,"sku":"","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Candy Mountain black tee medium","offer_id":39815096926274,"sku":"","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Candy Mountain black large","offer_id":39815097385026,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/HB_CandyMountain_4465.jpg?v=1684281078"},{"product_id":"lost-objects-by-joshua-glenn-and-rob-walker","title":"Lost Objects: 50 Stories About the Things We Miss and Why They Matter","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBy Joshua Glenn and Rob Walker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHardcover, 152 pages\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e6.5 inches x 9 inches\u003cbr\u003e16.51 cm x 22.86 cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e50 color illustrations\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIs there a “Rosebud” object in your past? A long-vanished thing that lingers in your memory—whether you want it to or not? As much as we may treasure the stuff we own, perhaps just as significant are the objects we have, in one way or another, lost. What is it about these bygone objects? Why do they continue to haunt us long after they’ve vanished from our lives?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn \u003ci\u003eLost Objects\u003c\/i\u003e, editors Joshua Glenn and Rob Walker have gathered answers to those questions in the form of 50 true stories from a dazzling roster of writers, artists, thinkers, and storytellers, including Lucy Sante, Ben Katchor, Lydia Millet, Neil LaBute, Laura Lippman, Geoff Manaugh, Paola Antonelli, Margaret Wertheim, and many more. Each spins a unique narrative that tells a personal tale, and dives into the meaning of objects that remain present to us emotionally, even after they have physically disappeared.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTo bring this collection of essays even more vividly\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eto life, the editors gathered a similarly impressive array of artists to illustrate these meaningful things that have gone missing. Visual contributors include Seth, Kate Bingaman-Burt, Oliver Munday, Lisa Congdon, Matt Wuerker, Anita Kunz, Alex Eben Meyer, Gary Panter, and Kelli Anderson. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eGlenn and Walker began Lost Objects following the success of Significant Objects, a project-turned-book collecting fictional stories inspired by thrift store finds. With \u003cem\u003eLost Objects\u003c\/em\u003e, they have shifted to nonfiction narratives in their continuing exploration of objects and meaning. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSupplemented by additional analyses from the editors and an original foreword from noted design writer Debbie Millman, the book combines evocative storytelling, art, and design, rewarding deep readers and visual thinkers alike. We have all lost something that was meaningful—and that we’ll never forget. While we may never recover this Rosebud, \u003cem\u003eLost Objects\u003c\/em\u003e will teach us something new about why it mattered in the first place, and matters still. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003e∞∞∞\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cstrong\u003eLimited edition\u003c\/strong\u003e posters available while they last. Posters are 18 x 24 inches. Limited run of 25 each. \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eOptions are shown below.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHUNTING HAT by Oliver Munday\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/HBPress_LostObjects_Posters_Final_2_480x480.jpg?v=1647021445\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDODGE DART by Mister Reusch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/HBPress_LostObjects_Posters_Final_3_480x480.jpg?v=1647021486\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWARHOL CAN by Clara Selina Bach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/HBPress_LostObjects_Posters_Final_1_480x480.jpg?v=1647021509\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eROCKY HORROR NOVEL by Berta Vallo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/HBPress_LostObjects_Posters_Final_4_480x480.jpg?v=1647021526\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLOST OBJECTS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/HBPress_LostObjects_Posters_Final_5_480x480.jpg?v=1647021579\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e∞∞∞\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eJoshua Glenn \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s2\"\u003eis a consulting semiotician and coauthor of \u003ci\u003eThe Adventurer’s Glossary\u003c\/i\u003e, \u003ci\u003eUnbored: The Essential Field Guide to Serious Fun\u003c\/i\u003e, and (with Rob Walker) \u003ci\u003eSignificant Objects\u003c\/i\u003e, among other books. He is editor of HILOBROW.com and the MIT Press’ Radium Age series. Follow him via Instagram: @hilobrow. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eRob Walker \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"s2\"\u003eis the author of \u003ci\u003eThe Art of Noticing \u003c\/i\u003eand its spinoff newsletter, at robwalker.substack.com. His prior books are \u003ci\u003eSignificant Objects \u003c\/i\u003e(with Joshua Glenn), \u003ci\u003eBuying In\u003c\/i\u003e, and \u003ci\u003eLetters from New Orleans\u003c\/i\u003e. He is a longtime contributor to \u003ci\u003eThe New York Times \u003c\/i\u003eand teaches at the School of Visual Arts. More at robwalker.net. \u003c\/span\u003e\u003c\/p\u003e","brand":"Hat \u0026 Beard Press","offers":[{"title":"Lost Objects book","offer_id":39729872076866,"sku":"","price":40.0,"currency_code":"USD","in_stock":true},{"title":"with Hunting Hat poster","offer_id":39729872109634,"sku":"","price":100.0,"currency_code":"USD","in_stock":true},{"title":"with Dodge Dart poster","offer_id":39729872142402,"sku":"","price":100.0,"currency_code":"USD","in_stock":true},{"title":"with Warhol Can poster","offer_id":39729872175170,"sku":"","price":100.0,"currency_code":"USD","in_stock":true},{"title":"with Rocky Horror novel poster","offer_id":39729872207938,"sku":"","price":100.0,"currency_code":"USD","in_stock":true},{"title":"with Collage of Objects poster","offer_id":39729935908930,"sku":"","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/products\/LO_Cover_Mockup.png?v=1645395868"},{"product_id":"sent-from-my-slimy-brains-by-ana-lily-amirpour","title":"Sent from My Slimy Brains by Ana Lily Amirpour","description":"\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eHardcover\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e5 in. x 9 in. | 12.7 cm. x 22.86 cm\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e220 pages\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDuring the lockdown in 2020, trapped in her house, movie work at a halt, Ana Lily Amirpour began to excavate her iPhone. Aside from the thousands of photos and videos and screen grabs, she had also written hundreds of “notes” to herself, personal things like dreams that she would quickly write down in the middle of the night before they’d evaporate, and then analyze their meaning the next day. Some notes were about films she was working on, story ideas, character ideas, thoughts for actors, or production. Some were intimate and personal, like venting the frustrations of an argument with a boyfriend, or venting about a film experience, or agonizing about the death of someone close. Tons of other notes were just weird, random things: thoughts, quotes, movie recommendations, books, grocery lists.  She had email threads with herself digging into unresolved questions and answers about filmmaking–questions about why she made a film or what it means; questions that are always difficult to answer in a living moment.  So there she was in lockdown, reading these notes and emails–personal things that were never meant to be shared–and realizing she was looking at her digital diary, looking through a window at time passing, at who she is as a person and as an artist, in a direct and psychedelic way. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThere was something exciting about the fact that she was talking to herself in a frank, unfiltered manner. It was imperfect but honest. “If I die tomorrow,” she thought, “all this stuff I wrote, all these intimate thoughts and ideas will go to my grave.” So she resolved to harvest the entries, some going as far back as 2016, when she was finishing her second film, \u003ci\u003eThe Bad Batch\u003c\/i\u003e, and all the way through 2021, when she was releasing her third film \u003ci\u003eMona Lisa and the Blood Moon\u003c\/i\u003e during the pandemic. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis book is the result of that personal archaeological digital dig. \u003ci\u003ePersonal\u003c\/i\u003e might even be an understatement given it’s the actual stuff inside her phone\u003ci\u003e. \u003c\/i\u003eImagine how it feels when someone has your phone–you feel utterly exposed. With this book, Ana Lily has decided to share something she never imagined she’d share. Artists are always exposing themselves in one way or another. As Ana Lily would put it, “The bottom line is I want to dance like no one is watching, and to write like no one is reading, because then what comes out is naked. It’s you.” This is the stuff that lives inside her slimy brains.  Hence the title, and the signature on her emails… “Sent from my Slimy Brains”.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e+++\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIranian-American director, writer, and producer, \u003cstrong\u003eAna Lily Amirpour\u003c\/strong\u003e is an auteur with confidence rooted in substance. Her thematically direct and color-imbued body of work embodies the mantra to make the weird real. Her feature-film debut, \u003ci\u003eA Girl Walks Home Alone at Night\u003c\/i\u003e, the “Iranian vampire spaghetti western,” premiered at the Sundance Film Festival in 2014 and was the opening selection for the New Directors\/ New Films series at MoMA in New York City. The film was awarded the Revelations Prize at the Deauville Film Festival and was given both the Carnet Jove Jury Award and the Citizen Kane Award for Best Directorial Revelation from the Sitges Film Festival. At the 2014 Gotham Awards, Amirpour was honored with the Bingham Ray Award, given to an emerging filmmaker with distinctive creative vision and stylistic adventurousness that stands apart from the mainstream.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHer second feature, \u003ci\u003eThe Bad Batch, \u003c\/i\u003ea savage desert-set psychedelic hellscape about the American dream, starring Jason Momoa, Suki Waterhouse, Keanu Reeves, and Jim Carrey, won the Special Jury Prize at the 2016 Venice Film Festival. Her third film, \u003ci\u003eMona Lisa and the Blood Moon\u003c\/i\u003e, a supernatural fairy tale set in New Orleans, premiered at the Venice Film Festival and stars Kate Hudson, Jun Jong-seo, Craig Robinson, Ed Skrein, and Evan Whitten.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eShe has directed music videos and television series alongside her films, and she currently resides in Los Angeles, California.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hat \u0026 Beard","offers":[{"title":"Default Title","offer_id":40141665468482,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/products\/slimey.jpg?v=1671734270"},{"product_id":"the-black-chord","title":"The Black Chord\u003cbr\u003eVisions of the Groove: Connections between Afro-beats, Rhythm \u0026 Blues, Hip-hop, Reggae and more","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover, 200 pages\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e10 in. x 11 in. | 25.40 cm. x 27.94 cm\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePhotographs by David Corio\u003cbr\u003eText by Vivien Goldman\u003cbr\u003eForeword by Isaac Hayes\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“The breadth of modern black music is captured beautifully in \u003cem\u003eThe Black Chord.\u003c\/em\u003e“ \u003cbr\u003e\u003cem\u003e—Vibe\u003c\/em\u003e, November 1999\u003cbr\u003e\u003cbr\u003e“... a stunning collaboration that traces the history of black music.” \u003cbr\u003e\u003cem\u003e—Harpers Bazaar\u003c\/em\u003e, October 1999\u003cbr\u003e\u003cbr\u003e“Trying to draw a cord around artists from 18th century Africa to 19th century America to 21st century England may seem overly ambitious for one handsome coffee table book. But in a virtuosic act of connect the dots, journalist Goldman and photographer Corio create an insightful homage to diasporic music.”\u003cbr\u003e—\u003cem\u003eInterview\u003c\/em\u003e, December 1999\u003cbr\u003e\u003cbr\u003e“In words and indelible images, \u003cem\u003eThe Black Chord\u003c\/em\u003e displays the lasting joys of community and how this communion can elevate the present while ennobling the future.”  \u003cbr\u003e—\u003cem\u003eBillboard\u003c\/em\u003e, November 1999\u003cbr\u003e\u003cbr\u003e“It is unlikely that a more definitive and comprehensive book about the history of black popular music will be published. Goldman and Corio have created a musical encyclopedia of the ages.”\u003cbr\u003e—\u003cem\u003eDetroit City View\u003c\/em\u003e, November 1999\u003cbr\u003e\u003cbr\u003e“There are few books that tell the story of black music as well as \u003cem\u003eThe Black Chord\u003c\/em\u003e. From cover to cover, vivid images accompany the story of the beats that are the backbone of modern music. Buy the book and hear your own chord.”\u003cbr\u003e—\u003cem\u003eCode\u003c\/em\u003e, April 2000\u003cbr\u003e\u003cbr\u003e“For a fascinating photo-historical tour of black music, turn to \u003cem\u003eThe Black Chord\u003c\/em\u003e…”\u003cbr\u003e—\u003cem\u003eThe New York Times\u003c\/em\u003e, November 1999\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis volume is a graphically improved re-edition and re-invention of a book that first appeared in 1999. The classic Corio portraits have been swapped in a few places, but the line-up of brilliance they represent is unchanged, as is the text itself, apart from a little polish here and there. All quotes are taken from either the lifetime of original interviews I have conducted as a music journalist, first published in the mid-1970s British rock press, or from the many months of interviews I conducted specifically for \u003ci\u003eThe Black Chord\u003c\/i\u003e, unless otherwise noted. My choice of additional subjects was dictated by David’s magnificent portrait gallery. I wanted to, if not directly quote, at least contextualize every artist. In the intervening decades, many have left us. Some shine even more brightly. Regarding others whose luster has been tarnished by scandal, it may be a poignant surprise to recall how they were viewed before the sad, sordid truth came out.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eLike my dear friend and colleague David Corio—who had shot some of my own finest portraits—I came up in the London media and arts scene of the 1970s and ’80s; in the early ’90s, we both moved to New York. We shared the same typical Londoner’s sort of eclectic pan-Black aesthetic: A love of soul, jazz, hip hop, R’n’B, music from Africa, particularly Francophone West Africa, and we had a special passion for reggae and dub. We shared a cultural formation, one that is reflected in this eclectic collection. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWhen he told me in the closing years of the last century that he was planning a book of his portraits and asked if I might be interested in writing it, I sat with the archive and marveled. Through his serious commitment to and passion for music, he had kept on shooting since 1976, usually for a publication or label, but often for love, until his archive spelled out much of the arc of Black popular music from the latter half of the 20th century. I found it epic. Over a North London lunch with Trinidadian writer and broadcaster Isaac Fergusson, we discussed the way music has flowed in cycles of creativity; how the Africa from which so many individuals had been stolen remained the foundation for virtually everything we loved to listen to. That idea, that truth, resonated and took form in an alluring vibration. We decided to call it \u003ci\u003eThe Black Chord\u003c\/i\u003e, as no matter how different were the sounds, together they formed one mighty harmony.  —\u003cem\u003eVivien Goldman\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e+++\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Corio\u003c\/strong\u003e was born in London, England, in 1960. He began his professional career in 1978, taking photographs for \u003cem\u003eNME\u003c\/em\u003e, followed by \u003cem\u003eThe Face\u003c\/em\u003e, \u003cem\u003eTime Out\u003c\/em\u003e, and \u003cem\u003eBlack Echoes\u003c\/em\u003e, covering a wide range of music and portraiture. After a stint as a music writer at \u003cem\u003eCity\u003c\/em\u003e \u003cem\u003eLimits\u003c\/em\u003e, he worked as a freelance photographer for the \u003cem\u003eDaily Telegraph\u003c\/em\u003e, \u003cem\u003eThe Times\u003c\/em\u003e, \u003cem\u003eQ\u003c\/em\u003e, Theatre Royal Stratford, and Greensleeves Records, among others.\u003c\/p\u003e\n\u003cp\u003eDavid’s photographs are held by the National Portrait Gallery, The Photographer's Gallery, The I.C.A., and The Victoria and Albert Museum in London; The National Museum of African American History and Culture, Washington D.C., and the National Museum of African American Music in Nashville, Tennessee; and have been exhibited at The Hayward Gallery, Getty Images Gallery, Rock Archive Gallery, and The Special Photographers Gallery in London; International Centre of Photography, The Morrison Hotel Gallery, The Brownwyn Keenan Gallery, Corso Como Gallery in New York City, and the Museum of Pop Culture, Seattle; Elliott Halls Gallery and The Tropen Museum in Amsterdam. \u003c\/p\u003e\n\u003cp\u003eDavid has lived and worked in London and New York City, and his work has been published in the \u003cem\u003eNew York Times\u003c\/em\u003e, \u003cem\u003eThe Times\u003c\/em\u003e, the \u003cem\u003eTelegraph\u003c\/em\u003e, \u003cem\u003eRolling Stone\u003c\/em\u003e, and \u003cem\u003eMojo\u003c\/em\u003e. He has also worked for the School of Visual Arts, the Swedish Institute, New Jersey Institute of Technology, the Institute for Electronic and Electrical Engineers, Greensleeves Records, VP Records, Heartbeat Records, Universal Music Group, EMI, and Island Records.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Black Chord, \u003c\/em\u003ea\u003c\/span\u003e comprehensive collection of David's photographs of black musicians was published by Universe in 1999 with text by Vivien Goldman. \u003cem\u003eMegaliths\u003c\/em\u003e, a 14-year project photographing the prehistoric standing stones of England and Wales, with text by Lai Ngan Corio, was published by Jonathan Cape\/Random House in 2003. \u003cem\u003eThe Couture Accessory, \u003c\/em\u003ewith text by Caroline Rennolds Milbank and styling by Lai Ngan Corio, a book of haute couture accessories was published by Abrams in 2002.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cspan lang=\"EN-US\"\u003e+++\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003e“No one’s More Punk than \u003cstrong\u003eVivien Goldman\u003c\/strong\u003e,” pronounced \u003cem\u003ePitchfork\u003c\/em\u003e \u003cem\u003eMagazine\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003eIn that freewheeling spirit, the boundary-busting Vivien Goldman is a writer, educator, and broadcaster—and she's a musician too. A Londoner, she has lived in Paris and Jamaica and now resides in New York. Since she started out in the vigorous British rock press of the 1970s, often working with Bob Marley (the subject of two of her books), her can-do attitude and outernational insights have been on wide display in the realms of  journalism, books, radio, television, university teaching, multi-media lecturing, museum dialogs, the recording studio, and the stage—and her beat goes on. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRevenge of the She-Punks\u003c\/em\u003e, Goldman’s award-winning sixth book (University of Texas Press, 2019), won Rough Trade’s Book of the Year in the US and the UK, and earned her the Best Music Journalist Award from Germany’s Reeperbahn Festival. It has been translated into seven international editions.\u003c\/p\u003e\n\u003cp\u003eIn a unique career move, Goldman released her first album, \u003cem\u003eNext Is Now\u003c\/em\u003e, in 2021, produced by Youth (Killing Joke, The Orb, Paul McCartney, Poly Styrene). \u003cem\u003eBrooklyn Vegan\u003c\/em\u003e made it LP of the Week and \u003cem\u003eThe Washington Post\u003c\/em\u003e, \u003cem\u003eForbes\u003c\/em\u003e, and \u003cem\u003ePitchfork\u003c\/em\u003e, among others,  enthused about what Lucie O’Brien called “a moving statement on love, exile, struggle, and companionship... Goldman sings with a sense of musical liberation.”  (\u003cem\u003eMojo\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003eIt was a remarkable renaissance for the post-punk music Goldman made in the early 1980s as part of The Flying Lizards, and solo with members of PiL,The Raincoats, Aswad and Robert Wyatt. When this scattered work was re-issued in a 2016 compilation album, \u003cem\u003eResolutionary\u003c\/em\u003e, it prompted HBO to include her cult classic “Launderette” in their series, \u003cem\u003eThe Deuce\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eGoldman's\u003cem\u003e The Afrobeat Artist\u003c\/em\u003e, a book on the work of Lemi Ghariokwu, the visual artist whose sleeves projected Fela Anikulapo Kuti, the creator of Nigeria’s Afrobeat sound, will be published by Hat \u0026amp; Beard Press in 2024. A book of her collected music journalism, \u003cem\u003eRebel Musix, Scribe on a Vibe,\u003c\/em\u003e will be published by White Rabbit Books (UK) in 2024 and Hat \u0026amp; Beard Press in the U.S.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e+++\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned by Rebecca Meek\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e+++\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eADVANCE PRESS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.theguardian.com\/music\/gallery\/2024\/mar\/14\/from-nina-simone-and-bob-marley-to-goldie-and-salt-n-pepa-a-whos-who-of-black-popular-music-in-pictures\" title=\"Guardian write up\" rel=\"noopener\" target=\"_blank\"\u003eThe Guardian\u003c\/a\u003e\u003c\/p\u003e","brand":"Hat \u0026 Beard","offers":[{"title":"Bob Marley","offer_id":40224162021442,"sku":"","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Nina Simone","offer_id":40224162054210,"sku":"","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Biz Markie","offer_id":40224162086978,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/BlackChordBMcovercrop.jpg?v=1709930840"},{"product_id":"the-lumpen-times-30-years-of-radical-media-and-building-communities-of-the-future","title":"The Lumpen Times: 30+ Years of Radical Media and Building Communities of the Future","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eSoftcover, 528 pages\u003cbr\u003e9 in. x 12 in. | 20.32 cm. x  27.94 cm.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eWay back in 1991, a freely-circulated zine called \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eThe Lumpen Times \u003c\/em\u003ewas born in Champaign, Illinois. The creators would go on to relaunch it in Chicago in 1993. Over time, the underground magazine would lead to building a Community of the Future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eThrough the certainty of chance, collective engagement, casual encounters, and accidental actions, \u003ci data-mce-fragment=\"1\"\u003eThe Lumpen Times\u003c\/i\u003e became the hub for a series of cultural platforms spawning hundreds of projects, spaces, happenings, exhibitions, and initiatives. Some were short-lived, but each project fueled a new one in its wake. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eAs an example, they started a record label, which spawned other publications. Other projects include engaging in dot-communism, opening community art spaces, hosting international art and activism festivals, and producing thousands of exhibitions and events. They also built an FM radio station, opened a bar, restaurants, launched a brewery, built another beverage company, created an artists’ retail shop, and started community kitchens. This range of passions has become an interconnected and deeply inclusive set of ventures now called The Buddy System.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Lumpen Times: 30+ Years of Radical Media and Building Communities of the Future\u003c\/i\u003e shares stories from a few dozen of the thousands of Lumpen collaborators over the years. It contains a visual survey of the printed matter they produced over the past three decades, illustrating the evolution of the xeroxed-and-stapled zine into an internationally recognized cultural periodical.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eThe book is also a catalog of strategies, highlighting dozens of “case studies” demonstrating how artists, activists, educators, and creative entrepreneurs of all stripes have built community and culture in their beloved city of Chicago via the printed word, physical spaces, and over the airwaves and digital networks. Each study includes the reason it started, examples of its production, and the reasons it failed, mutated, or continues to this day. The project is a deep archive, essentially showcasing some of the secret histories of Chicago’s countercultural milieus over 30 years of community and artistic engagement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: center;\" class=\"p1\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e+++\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e\u003cspan\u003eEd Marszewski is the director of the Public Media Institute (PMI) and publisher of \u003cem\u003eLumpen Magazine\u003c\/em\u003e and other titles. PMI launched the low power community radio station, Lumpen Radio ( WLPN-LP ) on 105.5 FM, and programs the long running cultural center Co-Prosperity in the Bridgeport neighborhood of Chicago. PMI also opened the Buddy store in the Chicago Cultural Center. Ed is also the co-founder of Maria’s Packaged Goods \u0026amp; Community Bar, Kimski, Marz Community Brewing Co., Life on Marz Community Club, Pizza Fried Chicken Ice Cream, and Kim’s Uncle Pizza. For more about many of the projects he leads, visit \u003c\/span\u003e\u003ca href=\"http:\/\/the-buddy-system.com\/\" target=\"_blank\"\u003ethe-buddy-system.com\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eDesign by Jeremiah Chiu\u003c\/span\u003e\u003c\/p\u003e","brand":"Hat \u0026 Beard","offers":[{"title":"Default Title","offer_id":40529179312194,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1538\/2371\/files\/LumpenCover_MockupNEW.jpg?v=1698779514"}],"url":"https:\/\/hatandbeard.com\/collections\/sale.oembed","provider":"Hat \u0026 Beard Press","version":"1.0","type":"link"}